Small nws excemption3 Tchaikovsky: Symphony No. 4, 2nd Mvt.

Orchestral Excerpts | Sue Heineman, Bassoon
Bt movie not in use Solo is not technically demanding, but can be effective in capturing the ears of a committee 00h:01m:12s
Bt movie not in use Draw attention back to the melody in a tentative but confident way 00h:01m:47s
Bt movie not in use A-natural appoggiatura is the natural arrival point of the phrase 00h:02m:00s
Bt movie not in use Ability to play beautiful legato. Use the vibrato to connect notes to one another 00h:02m:35s
Bt movie not in use Fingering for final low B-flats to keep them from being sharp 00h:03m:38s
Bt movie not in use Start the final partial phrase as if you were going to continue 00h:04m:11s

Sue Heineman, Principal Bassoon of the National Symphony Orchestra, demonstrates and discusses the bassoon solo from the second movement of Tchaikovsky's Fourth Symphony.

Pyotr Ilyich Tchaikovsky



Recorded Date: 18-04-2013

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Sue Heineman

Sue Heineman has been Principal Bassoonist of the National Symphony Orchestra since September 2000. Prior to joining the NSO, she held positions with the New Haven, Memphis, New Mexico, and New Zealand Symphony Orchestras. She has appeared as soloist with the NSO on numerous occasions, as well as with the Kennedy Center Chamber Players, comprised of principal players from the NSO. Ms. Heineman has performed as guest Principal Bassoonist of the Los Angeles Philharmonic and is a frequent soloist at conferences of the International Double Reed Society. A former member of the Aspen Wind Quintet, she has performed with the American Chamber Players, Chamber Music Society of Lincoln Center, Santa Fe Chamber Music Festival, Santa Fe Opera, and Metropolitan Opera. As a student she participated in festivals at Tanglewood, Banff, National Repertory Orchestra, and Los Angeles Philharmonic Institute.

Originally from Philadelphia, Ms. Heineman holds a Bachelor of Music degree from Eastman and a Master's degree from Juilliard. She also completed a Bachelor of Arts degree at the University of Rochester, graduating summa cum laude with Phi Beta Kappa honors, and was the recipient of a Fulbright Scholarship to Salzburg. Her teachers include Shirley Curtiss, David Van Hoesen, Milan Turkovic, Judith LeClair, and Stephen Maxym. A frequent guest clinician at conservatories and festivals throughout the US and Canada, Ms. Heineman is on the faculty of the University of Maryland School of Music.