|Playing close to the fingerboard creates a diffuse sound||00h:03m:27s|
|Sound has to travel||00h:03m:52s|
|Which notes are important and which are just "passing"||00h:04m:10s|
|Don't let your very first note start late to the accompaniment||00h:05m:10s|
|The stopping of eighth-note accompaniment indicates that the soloist should do something with the time||00h:08m:50s|
|Let the sound stop in order to start a new section. Like a singer taking a breath||00h:13m:15s|
Tamás Varga, Principal Cello of the Vienna Philharmonic, works with Meredith McCook on the first movement of the Schumann Cello Concerto
CELLO CONCERTO IN A MINOR, OP. 129 (1850)
Recorded Date: 09-10-2014
Tamás Varga was born in 1969 in Budapest where at the age of seven he began his training, which was concluded with distinction at the Franz Liszt Academy. His teachers included László Mező, Ferenc Rados and György Kurtág. He received additional artistic motivation in master classes held by Miklós Perényi, Menahem Pressler and Uzi Wiesel, with whom he studied on a scholarship to the Rubin Academy of Music in Tel-Aviv. After having won the Hungarian national competition for the second time in 1987, he established himself as one of the most sought after soloists in Hungary.
Tamás Varga is principal cellist with the Vienna Philharmonic and the Vienna State Opera Orchestra. The regular solo appearances he makes with this orchestra are counted among the highlights of his career. Numerous solo and chamber music concerts take him to nearly every country in Europe, as well as to Canada, South Africa and Japan.
As an enthusiastic chamber musician, Tamás Varga is a member of the Wiener Philharmonia Trio and the Vienna Chamber Ensemble, making regular guest appearances with them in the Vienna Konzerthaus, at the Salzburg Festivals and other such important European Festivals. A concert he initiated, "Remembering Piatigorsky", which commemorated the 100th birthday of the famous cellist, Gregor Piatigorsky, received highly favourable media attention.
Likewise, his cycle "Dvořák and the New World" for the Vienna Festival in 2004, along with recitals and chamber music concerts at important festivals such as the Budapest Spring or the Rheingau Music Festival document his high profile on the chamber music scene.
Tamás Varga places great emphasis on passing on his experience to younger musicians. He has given instruction for years at the International Orchestra Institute in Attergau and has held master classes in Pretoria, South Africa; at the Bruckner University in Linz; at the Franz Liszt Academy for Music in Budapest; and in Kusatsu, Japan, as well as part of the Gustav Mahler Academy in Bolzano and Potenza, Italy. For CD, Tamás Vargas has recorded all of the Cello Suites of J.S. Bach and the two sonatas for Cello and Piano of Brahms, as well as other compositions.