Small nws excemption3 Mussorgsky: Pictures at an Exhibition

Orchestral Excerpts | Mark Niehaus, Trumpet / Michael Tilson Thomas, Conductor
Bt movie not in use Mark demonstrates the excerpt 00h:00m:50s
Bt movie not in use Separate the two halves of your brain to deepen your understanding and command 00h:01m:41s
Bt movie not in use Background of the composition of Pictures at an Exhibition 00h:02m:03s
Bt movie not in use Think about the Star Spangled Banner 00h:03m:40s
Bt movie not in use Consistency of sound throughout the registers 00h:04m:50s
Bt movie not in use Use the G and F as "landing points" 00h:05m:10s
Bt movie not in use Make sure attacks sound the same by changing compression in the different registers 00h:05m:45s
Bt movie not in use Airspeed exercise 00h:06m:48s
Bt movie not in use Speed of air is different than the volume of air 00h:08m:10s
Bt movie not in use Hold the high F and bend the pitch to make sure your tongue is in the right position 00h:08m:23s
Bt movie not in use Imagine the message you are sending out before you start 00h:09m:30s

Mark Niehaus, former Principal Trumpet of the Milwaukee Symphony, demonstrates and discusses the opening to Mussorgsky's Pictures at an Exhibition. With an introduction by Michael Tilson Thomas.

Modest Petrovich Mussorgsky



Recorded Date: 06-01-2015

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Mark Niehaus

Mark Niehaus has been principal trumpet of the Milwaukee Symphony Orchestra since 1998. Mr. Niehaus recently completed a special recording project with the G. Schirmer Instrumental Library: The Trumpet Collection. Before moving to Milwaukee he spent three seasons as a member of the New World Symphony in Miami Beach, Florida. Mr. Niehaus began his professional career at the age of 18, and still a freshman at The Juilliard School, when he assumed the post of principal trumpet of the New Haven Symphony. He remained with that orchestra for six years, while continuing his studies with Mark Gould and Raymond Mase. Immediately upon graduation he joined the faculty of The Juilliard School's Pre-College division. He was also active in the Julliard School's Music Advancement Program. Mr. Niehaus has spent 12 summers at the Eastern Music Festival as principal trumpet of the faculty orchestra.

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Michael Tilson Thomas

Michael Tilson Thomas is Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony and Principal Guest Conductor of the London Symphony Orchestra. Born in Los Angeles, he is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.

Mr. Tilson Thomas began his formal studies at the University of Southern California where he studied piano with John Crown and conducting and composition with Ingolf Dahl. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra. He worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles' Monday Evening Concerts. During this same period he was the pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.

In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.
His recorded repertoire of more than 120 discs includes works by composers such as Bach, Beethoven, Mahler, Prokofiev and Stravinsky as well as his pioneering work with the music of Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. He recently finished recording the complete orchestral works of Gustav Mahler with the San Francisco Symphony.

Mr. Tilson Thomas's television work includes a series with the London Symphony Orchestra for BBC Television, the television broadcasts of the New York Philharmonic Young People's Concerts from 1971 to 1977 and numerous productions on PBS Great Performances. Mr. Tilson Thomas and the San Francisco Symphony produced a multi-tiered media project, Keeping Score, which includes a television series, web sites, radio programs and programs in schools.
In February 1988 he inaugurated the New World Symphony, an orchestral academy for graduates of prestigious music programs. In addition to their regular season in Miami Beach, they have toured in Austria, France, Great Britain, South America, Japan, Israel, Holland, Italy and the United States. Prior to their January, 2007 appearance at Carnegie Hall, the New World Symphony was profiled in a feature story in The New York Times. New World Symphony graduates have gone on to major positions in orchestras worldwide. In 1991 Mr. Tilson Thomas and the orchestra were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of From the Diary of Anne Frank, composed by Mr. Tilson Thomas and commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide.

In August 1995 he led the Pacific Music Festival Orchestra in the premiere of his composition Showa/Shoah, commemorating the 50th anniversary of the bombing of Hiroshima. Thomas Hampson premiered his settings of poetry by Walt Whitman, Renee Fleming premiered his settings of the poetry of Emily Dickinson and the San Francisco Symphony premiered his concerto for contrabassoon entitled Urban Legend. As a Carnegie Hall Perspectives Artist from 2003 to 2005, he had an evening devoted to his own compositions which included Island Music for four marimbas and percussion, Notturno for solo flute and strings and a new setting of poems by Rainer Maria Rilke. Other compositions include Street Song for brass instruments and Agnegram, an overture for orchestra.

As Principal Conductor of the London Symphony Orchestra from 1988 to 1995, Mr. Tilson Thomas led the orchestra on regular tours in Europe, the United States and Japan as well as at the Salzburg Festival. In London he and the orchestra have mounted major festivals focusing on the music of Steve Reich, George Gershwin, Johannes Brahms, Toru Takemitsu, Nicolai Rimsky-Korsakov and the School of St. Petersburg, Claude Debussy and Gustav Mahler. As Principal Guest Conductor of the LSO, he continues to lead the orchestra in concerts in London and on tour.
His fifteen-year tenure as Music Director of the San Francisco Symphony has been broadly covered by the international press with feature stories in Time, Newsweek, The Wall Street Journal, The New York Times, Los Angeles Times, The Times of London and The Frankfurter Allgemeine Zeitung among many others. With the San Francisco Symphony he has presented eight summer festivals including ones devoted to the music of Mahler, Stravinsky, Wagner and American Mavericks. With the San Francisco Symphony he has made numerous tours of Europe, United States and the Far East.

Mr. Tilson Thomas is a Chevalier dans l'ordre des Arts et des Lettres of France, was Musical America's Musician of the Year and Conductor of the Year, Gramophone Magazine's Artist of the Year and has been profiled on CBS's 60 Minutes and ABC's Nightline. He has won ten Grammy Awards for his recordings. In 2008 he received the Peabody Award for his radio series for SFS Media, The MTT Files. In 2010, President Obama awarded him with the National Medal of Arts, the highest award given to artists by the United States Government.