Small nws excemption3 Mozart: Symphony No. 39, 1st mvt.

Orchestral Excerpts | Timothy Pitts, Double Bass
Bt movie not in use Lee plays the excerpt 00h:00m:21s
Bt movie not in use Two distinct styles in the excerpt; change the character between the melodic theme and light off-the-string eighth notes 00h:01m:10s
Bt movie not in use Mozart uses appoggiatura to create tension. Relaxation comes from resolution. 00h:01m:43s
Bt movie not in use Extend second finger in F-C-D shift 00h:02m:56s
Bt movie not in use Off the string stroke is more brushy than in Beethoven or Brahms 00h:04m:10s
Bt movie not in use Bouncing the bow 00h:05m:20s
Bt movie not in use Intonation needs to be precise 00h:06m:15s
Bt movie not in use Lee plays the entire excerpt following Tim's recommendations 00h:07m:40s

Rice University double bass professor Timothy Pitts works with Lee Philip on an excerpt from Mozart's Symphony No. 39

Wolfgang Amadeus Mozart


Double Bass

Thumb 19 timothy pitts

Timothy Pitts
Double Bass

Timothy Pitts has distinguished himself as one of the most versatile double bassists of his generation. As a soloist, chamber and orchestral musician, he has been heard in many of the world’s greatest concert halls.

Mr. Pitts’ orchestral career began as a member of the Cleveland Orchestra after which he was appointed principal bass of the Houston Symphony, a position he held for seventeen years. Mr. Pitts also served as principal double bass of Boston’s Handel and Haydn Society and the Boston Pops Esplanade Orchestra under the direction of John Williams.

An active chamber musician, Mr. Pitts has appeared as a guest artist with Bay Chamber Concerts, the Mainly Mozart Festival, Boston Musica Viva, the Pacific Music Festival in Sapporo, Japan, and the Skaneateles Festival in New York as well as with the Los Angles Piano Quartet and the St. Lawrence, Jupiter, and Vermeer Quartets. He has collaborated with such artists as Menahem Pressler, Arnold Steinhardt, Christoph Eschenbach, Heinz Holliger, Robert McDuffie, and Roberto Diaz. As a member of the Houston Symphony Chamber Players, Mr. Pitts toured Germany and Japan, and appeared at Chicago’s Ravinia Festival.

Mr. Pitts has appeared as soloist with the Houston, Greenville, Savannah, Albany, and Mainly Mozart Festival Orchestras. In April of 2006, Mr. Pitts gave the United States premiere of John Harbison’s Concerto for Bass Viol with Hans Graf conducting the Houston Symphony.

A dedicated educator, Mr. Pitts has presented master classes at the National Orchestral Institute, the New World Symphony, Boston University, Indiana University, the Glen Gould School, and the Pacific Music Festival. His students can be found among the ranks of the world’s finest ensembles.

Formerly on the faculty of the Oberlin Conservatory, Mr. Pitts is currently a Professor of Double Bass at Rice University’s Shepherd School of Music. For three weeks each summer he teaches and performs at the Montecito Music Festival in Montecito, California. During the summer, he is on the artist faculty of the Beijing International Music Festival and Academy, in residence at China’s Central Conservatory of Music. Mr. Pitts lives in Houston, Texas with his wife, violinist Kathleen Winkler, and two daughters, Nina and Kiri, both aspiring cellists.