Small nws excemption3 Mandolin Technique

How-To | Joseph Brent, Mandolin
Bt movie not in use Technique help for violinists and guitarists who need to learn quickly 00h:00m:16s
Bt movie not in use Better for guitarists to use a "stretched" fingering, similar to violin playing 00h:01m:09s
Bt movie not in use "Italian school" - hand is at 45 degree angle 00h:01m:15s
Bt movie not in use "German school" - similar to guitar. Hand shape in both encompasses a fifth 00h:01m:29s
Bt movie not in use Right hand holds pick between thumb and index finger 00h:01m:59s
Bt movie not in use Move less in difficult passages 00h:02m:45s
Bt movie not in use String crossing exercise 00h:03m:04s
Bt movie not in use Tremolo should not be too fast. Don't use elbow 00h:05m:33s
Bt movie not in use Bluegrass musicians use slower tremolo speed and achieve better sound 00h:05m:57s
Bt movie not in use Practice in front of mirror at quietest dynamic, then crescendo slowly 00h:06m:49s
Bt movie not in use Tension is the enemy of good sound and projection 00h:07m:35s

Joseph Brent brings a consummate artistry and dedication to the mandolin, and is helping to shepherd his instrument into the 21st century. In this video he goes over mandolin technique for violinists and guitarists who may need to play mandolin in a classical ensemble.


Recorded Date: 19-04-2016

Joseph Brent

Joseph Brent brings a consummate artistry and dedication to the mandolin, and is helping to shepherd his instrument into the 21st century.

Graduating from the Berklee College of Music in 1999 with a focus on contemporary music, he immediately began working closely with many of the great modern composers, premiering and performing works by Elliot Carter, Pierre Boulez, Magnus Lindberg, Olga Neuwirth, David Loeb, and Nathan Davis, among many others. He has performed with many well-known chamber ensembles, including The International Contemporary Ensemble, St. Paul Chamber Orchestra, Argento New Music Project, nunc, Speculum Musicae, Fireworks Music, Art of Élan, Tres Américas, Ensemble Moto Perpetuo, and counter)induction. Concurrently, he is thoroughly versed in the traditional orchestral repertoire, having performed with The Boston Symphony, The Chicago Symphony, The San Francisco Symphony, The New World Symphony, The American Symphony Orchestra, and the New York City Ballet and City Opera, among others. As a solo artist, he has given recitals and clinics in North and South America, Europe, and Asia, made his Carnegie Hall solo debut in 2001, and has lectured on contemporary music at New York's Museum of Modern Art. In 2007, he was featured soloist with the Orchestra a Pizzico Ligure in several performances throughout northern Italy, and performed in the Miller Theatre portrait of Elliott Carter, conducted by Jeffrey Milarsky, in celebration of the composer's 99th birthday. In 2008 and 2011, he was a featured performer and clinician at the Classical Mandolin Society of America annual convention, and performed in an all-Carter program at the Tanglewood Music Festival under the direction of James Levine. In 2009 he headlined the Hildener Meisterkurs für Mandoline und Guitarre in Düsseldorf, Germany, and performed with Tres Américas Project at the Festival Internacional de Música Clásica Contemporánea in Lima, Peru. That same year he and harpist Bridget Kibbey were named amongst the first artists to participate in the Weill Music Institute's Carnegie Hall Musical Connections program. In 2012 he performed as soloist with the New World Symphony in an all-Beethoven program under the direction of Michael Tilson Thomas, which along with an all-Stravinsky program, he repeated with Maestro Thomas and the San Francisco Symphony in 2013. A recent solo tour took him across Ireland and England, and he was also among the guest instructors in Momento Rio Bandolim, an international mandolin festival held yearly in Rio de Janeiro. He maintains an active international concert schedule.

Simultaneously, Mr. Brent has maintained an active career in popular and improvising music. He has performed and/or recorded with Regina Spektor, Woody Allen, Jewel, Stephane Grappelli, Alice and Ravi Coltrane, Tommy Tune, Sam Moore (from Sam and Dave), the Alan Ferber Nonet + Strings, and Kishi Bashi. He has been featured in dozens of Broadway and off-Broadway pit orchestras, including Tony Award winners and nominees Spring Awakening, Everyday Rapture, Big River, and Urban Cowboy. In 2010 he debuted the Joe Brent Quartet, featuring his own compositions and arrangements, and also performs frequently with jazz violin extraordinaire Sara Caswell and Wind-Up Records recording artist Jillette Johnson.

In 2007, Mr. Brent published two books of mandolin pedagogy, Scales and Arpeggios for the Mandolin and Orchestral and Chamber Excerpts for Mandolin. That same year, he released his debut album, Point of Departure, featuring duets with Ms. Kibbey. In 2010, he recorded the complete mandolin works of David Loeb for Vienna Modern Masters, as well as solo. EP, featuring his solo arrangements of indie-rock songs by Animal Collective, The Flaming Lips, and Dan Cho. This year will release a recording of John Dowland’s lute music arranged for himself and Israeli mandolinist Alon Sariel. This year has thus far seen the release of recordings by Erin McKeown, Justin King & King Radio, Jillette Johnson, Kelli Rae Powell, and Gary Smulyan & Dominic Chianese featuring Mr. Brent’s work as a sideman.

Joseph Brent is on the faculty of Mannes College the New School for Music, the first mandolin instructor to hold a faculty position with a major American conservatory.