Small nws excemption3 Beethoven: Symphony No. 9, 4th mvt. recitative

Orchestral Excerpts | Peter Lloyd, Double Bass
Bt movie not in use Free tempo, because it is a recitative 00h:02m:10s
Bt movie not in use Extensive use of apoggiaturas in this excerpt. Make more of them 00h:02m:52s
Bt movie not in use More connected, lyrical strokes in the second part of third statement 00h:04m:54s
Bt movie not in use More urgency in repetition of sequences 00h:06m:53s
Bt movie not in use Fifth recitative starts quietly, leading ultimately to the Ode to Joy. Return to theme from second movement 00h:09m:15s
Bt movie not in use Character shift is the most dramatic in the fifth recitative 00h:10m:05s
Bt movie not in use A-natural to B-sharp should be strongest 00h:10m:18s
Bt movie not in use Last recitative has heroically discovered its goal 00h:11m:04s

Peter Lloyd, Acting Principal Bass of the Los Angeles Chamber Orchestra and former Principal Bass of the Minnesota Orchestra, works on the Recitative from the 4th movement of Beethoven's Ninth Symphony with Lee Philip.

Ludwig van Beethoven


Double Bass

Recorded Date: 20-03-2013

Thumb peter lloyd photo phillip pirolo 500x666

Peter Lloyd
Double Bass

A native of Philadelphia, Peter Lloyd is a graduate of the Curtis Institute of Music and the Settlement Music School, having studied with Roger Scott and Eligio Rossi. Upon graduation from Curtis, he immediately joined the Philadelphia Orchestra, remaining there for more than eight seasons before accepting the position of principal bass of the Minnesota Orchestra, which he held from 1986 to 2007.

Having dedicated much of his career to the chamber music repertoire, Peter has performed with the Guarneri String Quartet, Jamie Laredo at The 92nd Street Y and for many years been a regular participant at the Marlboro School of Music, Chamber Music Society of Lincoln Center, Orpheus Chamber Orchestra, Chamber Music Northwest, Music From Angel Fire, Bravo! Vail Valley Music Festival, Chicago Chamber Musicians, Brooklyn Chamber Music Society, BargeMusic in New York City and The Brandenburg Ensemble.

In addition to his concert schedule, Peter is a regular visitor to many of the leading music schools in the United States, giving master classes, lectures and recitals at the Curtis Institute, The Juilliard School, Tanglewood Music Festival, Manhattan School of Music, Mannes School, Indiana University, Peabody Conservatory, Chautauqua Institute, Youth Orchestra of the Americas and many others. He serves as an annual coach at the New York String Orchestra Seminar held at Carnegie Hall under the direction of Jamie Laredo, is a regular visiting teacher at the New World Symphony and has been invited to the Guangzhou International Music Academy under the direction of Charles Dutoit and the Pacific Music Festival in Sapporo, Japan.

Peter has served on the faculties of Northwestern and Indiana University and is presently a member of the faculty at The Colburn School in Los Angeles.

He performs on a world-renowned bass violin made by Daniel Hachez, graciously provided by Robertson Violins of Albuquerque, New Mexico.