|Auditions should be the culmination of all your preparations||00h:00m:05s|
|Preparation should be consistent and methodical||00h:00m:22s|
|Scales, long tones, control||00h:01m:02s|
|Make a list of the different kinds of excerpts and practice from each category every day||00h:01m:40s|
Kathryn Greenbank, Principal Oboe of the St. Paul Chamber Orchestra, talks about auditions and audition preparation.
Recorded Date: 11-10-2012
Kathryn Greenbank has been Principal Oboist of The Saint Paul Chamber Orchestra since 1982. She is a graduate of the Curtis Institute of Music, where she studied with John de Lancie. Her other teachers include Louis Margaglioni, Richard Woodhams, and Richard Killmer. Greenbank is a frequent soloist with the SPCO and has been featured on many of their recordings including Ravel’s Le Tombeau de Couperin, Stravinsky’s Pulcinella, and Dvorak’s Serenade in D Minor for Winds. Greenbank and the SPCO gave the world premiere performance of American composer Jennifer Higdon's Oboe Concerto, which was commissioned for her by the Minnesota Commissioning Club.
Greenbank has played with the Philadelphia Orchestra, Boston Symphony, Orpheus Chamber Orchestra, Kansas City Symphony, and Kansas City Chamber Orchestra. She has performed in many chamber music festivals around the country, including the Marlboro Music Festival, Aspen Music Festival, Grand Teton Music Festival, Sarasota Music Festival, Alpenglow Chamber Music Festival, Grant Park Music Festival, Salt Bay Chamber Music Festival, Music in the Vineyards, and Music@Menlo, where she is featured on their CD The Unfolding of Music II. This past August, she was involved in a project recording the six Trio Sonatas of Jan Dismas Zelenka. Greenbank served on the faculty of the University of Minnesota, and continues to maintain a small private teaching studio. In addition, she has coached and led master classes for the New World Symphony.