Presented in the intimate SunTrust Pavilion, Solo Spotlights feature one or two Fellows in recital programs they design. Featuring Jarrett McCourt, tuba.
Gustav Mahler, Paul Hindemith, Marc Mellits, Georg Philipp Telemann, Michael Daugherty
BLACK, TUBA SONATA, LIEDER EINES FAHRENDEN GESELLEN, FANTASIA NO. 10 IN F-SHARP MINOR, REFLECTIONS ON THE MISSISSIPPI
Tuba, Clarinet, and Piano
Recorded Date: 06-03-2017
Zach Manzi is a first-year Clarinet Fellow at the New World Symphony. Mr. Manzi has enjoyed many recent performances with The Juilliard Orchestra and Wind Orchestra as well as new music groups AXIOM and the New Juilliard Ensemble in performance venues across New York City. He also participated twice in Juilliard's ChamberFest, a chamber music intensive occurring during winter recess, and gave the finale performance of the 2015 festival in Juilliard’s Peter Jay Sharp Theater. A passionate educator, he was one of 20 students to be awarded a Morse Teaching Artist Fellowship, with which he taught music in a New York City public school during the 2014-15 academic year. With two classes of third-graders in Manhattan, he explored the role and relevance of classical music in the 21st-century. As a student at the Aspen Music Festival and School, Mr. Manzi performed with four orchestras and the Aspen Contemporary Ensemble, playing beside his influential teachers, Joaquin Valdepeñas, Burt Hara and Bil Jackson, in the Aspen Festival Orchestra and Chamber Symphony. He also spent a summer studying and performing at the Brevard Music Center Institute. At Vanderbilt University’s Blair School of Music, where he spent the first two years of his undergraduate career, Mr. Manzi was awarded the Elliott and Ailsa Newman Prize in 2013, given to the most outstanding woodwind student in the school. As a first-year student, he won the Vanderbilt University Concerto Competition, making his solo orchestral debut with the Vanderbilt Orchestra performing Debussy’s Première Rhapsodie. He received his bachelor of music degree from The Juilliard School in 2015, where he studied with Jon Manasse. When away from the clarinet, he enjoys biking, cooking, writing, traveling and discovering new coffee shops.
A second-year Piano Fellow at the New World Symphony, John Wilson was lauded by the Baltimore Sun for his “admirable technical confidence and expressive sensitivity.” Mr. Wilson has performed extensively on the piano, as well as the organ, harpsichord and celesta, in a variety of roles from soloist to ensemble musician to répétiteur. Recent highlights include concerto performances with the New World Symphony, New Amsterdam Symphony and the Concert Artists of Baltimore. He also serves as Principal Keyboardist of the Reading Symphony. He has been staff pianist at the Baltimore Lyric Opera since 2012.
As an orchestral pianist, Mr. Wilson has worked with conductors Michael Tilson Thomas, Leonard Slatkin, Robert Spano, Jacques Lacombe, David Robertson, Stéphane Denève, Nicholas McGegan and many others, and has played with the Baltimore and New Jersey symphonies. He has also performed with the Aspen Festival Orchestra, Aspen Philharmonic and Aspen Chamber Orchestra as a Fellow for three summer seasons. As a chamber musician, he has performed in recital with Joshua Bell, and in ensembles with Daniel Hope and Robert McDuffie.
Mr. Wilson earned his bachelor of music, master of music and graduate performance diploma degrees at the Peabody Conservatory, where he studied with Benjamin Pasternack and Marian Hahn, and was a recipient of the Presser and Clara Ascherfield awards. He additionally took part in master classes with Murray Perahia and Leon Fleisher. In 2012 Mr. Wilson made his solo performance debut at Carnegie Hall’s Weill Hall.