Register now for FREE unlimited access to all MUSAIC videos!
We'll send you tailored content along with details about upcoming live webcasts; online hangouts with NWS Fellows, artists and special guests; and MUSAIC development updates.
Your information is safe with us. We never sell, share or trade lists or email addresses.
Invalid email or password.
Reset your password
Email not found.
|Demonstration of the excerpt (00h:00m:48s)|
|Different kinds of spiccato (00h:02m:08s)|
|Practice spiccato on a single note (00h:02m:45s)|
|Solid rhythmic foundation (00h:03m:30s)|
|Toss the upbow with the right amount of weight to ensure the 16ths come at the right time (00h:04m:35s)|
|Accents, sforzandi and releases of final eighth notes (00h:06m:28s)|
|Knowing the wind lines that precede the violin entrance (00h:07m:45s)|
|Subito pp achieved by keeping the spiccato closer to the string (00h:09m:00s)|
Violin excerpt: Mendelssohn's A Midsummer Night's Dream - Scherzo, with Bing Wang
Bing Wang, Associate Concertmaster of the Los Angeles Philharmonic, discusses and demonstrates the Scherzo to Mendelssohn's A Midsummer Night's Dream. With an introduction by Michael Tilson Thomas.
Violinist BING WANG joined the Los Angeles Philharmonic as Associate Concertmaster in 1994.
Previously, she served as principal second violin of the Cincinnati Symphony, and has been concertmaster and faculty at Aspen Music Festival and School since 2003.
She has also been guest concertmaster of the Shanghai Symphony Orchestra since the 2009-2010 season, in which she led a televised New Year's concert conducted by Riccardo Muti.
As a soloist, Wang has won critical praise for her appearances with the Los Angeles Philharmonic. In September 1997, during the Philharmonic’s celebration of the Brahms anniversary year, she performed the composer’s Double Concerto with Philharmonic Assistant Principal Cellist Ben Hong. She made her Walt Disney Concert Hall concerto debut in May of 2005, and appears annually as both concertmaster and soloist at the Hollywood Bowl under the baton of composer John Williams, performing his signature movie classics such as Schindler’s List and Fiddler on the Roof.
In addition, Wang has been featured as the soloist with the Cincinnati Symphony, the Manhattan Symphony, and other local orchestras. She has appeared regularly as a soloist with the American Youth Symphony since her debut with that orchestra in 1997, and in 1999 she performed Bach’s Double Concerto at the Hollywood Bowl with Alexander Treger. In 2002, she gave her first appearances in China since emigrating to the U.S., performing as a soloist and touring with her hometown orchestra, the Shanghai Symphony Orchestra.
Active as a chamber musician, Wang has collaborated with such distinguished artists as Lang Lang, Yefim Bronfman, Emanuel Ax, Jean-Yves Thibaudet, among others. Chamber music appearances have included the Théâtre du Châtelet in Paris, the Palais des Beaux Arts in Brussels, and the Sans Souci Palace in Germany. She also performs regularly on the Philharmonic’s Green Umbrella and Chamber Music Society series.
Bing began studying the violin with her parents at the age of six. She entered the middle school of the Shanghai Conservatory of Music, where she was concertmaster of the school orchestra and graduated with the highest honors. After coming to the United States to study with Berl Senofsky at the Peabody Conservatory, she received her Master’s degree from the Manhattan School of Music, where her teacher was Glenn Dicterow.
Michael Tilson Thomas
Michael Tilson Thomas is Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony and Principal Guest Conductor of the London Symphony Orchestra. Born in Los Angeles, he is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.
Mr. Tilson Thomas began his formal studies at the University of Southern California where he studied piano with John Crown and conducting and composition with Ingolf Dahl. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra. He worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles' Monday Evening Concerts. During this same period he was the pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.
In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.
His recorded repertoire of more than 120 discs includes works by composers such as Bach, Beethoven, Mahler, Prokofiev and Stravinsky as well as his pioneering work with the music of Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. He recently finished recording the complete orchestral works of Gustav Mahler with the San Francisco Symphony.
Mr. Tilson Thomas's television work includes a series with the London Symphony Orchestra for BBC Television, the television broadcasts of the New York Philharmonic Young People's Concerts from 1971 to 1977 and numerous productions on PBS Great Performances. Mr. Tilson Thomas and the San Francisco Symphony produced a multi-tiered media project, Keeping Score, which includes a television series, web sites, radio programs and programs in schools.
In February 1988 he inaugurated the New World Symphony, an orchestral academy for graduates of prestigious music programs. In addition to their regular season in Miami Beach, they have toured in Austria, France, Great Britain, South America, Japan, Israel, Holland, Italy and the United States. Prior to their January, 2007 appearance at Carnegie Hall, the New World Symphony was profiled in a feature story in The New York Times. New World Symphony graduates have gone on to major positions in orchestras worldwide. In 1991 Mr. Tilson Thomas and the orchestra were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of From the Diary of Anne Frank, composed by Mr. Tilson Thomas and commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide.
In August 1995 he led the Pacific Music Festival Orchestra in the premiere of his composition Showa/Shoah, commemorating the 50th anniversary of the bombing of Hiroshima. Thomas Hampson premiered his settings of poetry by Walt Whitman, Renee Fleming premiered his settings of the poetry of Emily Dickinson and the San Francisco Symphony premiered his concerto for contrabassoon entitled Urban Legend. As a Carnegie Hall Perspectives Artist from 2003 to 2005, he had an evening devoted to his own compositions which included Island Music for four marimbas and percussion, Notturno for solo flute and strings and a new setting of poems by Rainer Maria Rilke. Other compositions include Street Song for brass instruments and Agnegram, an overture for orchestra.
As Principal Conductor of the London Symphony Orchestra from 1988 to 1995, Mr. Tilson Thomas led the orchestra on regular tours in Europe, the United States and Japan as well as at the Salzburg Festival. In London he and the orchestra have mounted major festivals focusing on the music of Steve Reich, George Gershwin, Johannes Brahms, Toru Takemitsu, Nicolai Rimsky-Korsakov and the School of St. Petersburg, Claude Debussy and Gustav Mahler. As Principal Guest Conductor of the LSO, he continues to lead the orchestra in concerts in London and on tour.
His fifteen-year tenure as Music Director of the San Francisco Symphony has been broadly covered by the international press with feature stories in Time, Newsweek, The Wall Street Journal, The New York Times, Los Angeles Times, The Times of London and The Frankfurter Allgemeine Zeitung among many others. With the San Francisco Symphony he has presented eight summer festivals including ones devoted to the music of Mahler, Stravinsky, Wagner and American Mavericks. With the San Francisco Symphony he has made numerous tours of Europe, United States and the Far East.
Mr. Tilson Thomas is a Chevalier dans l'ordre des Arts et des Lettres of France, was Musical America's Musician of the Year and Conductor of the Year, Gramophone Magazine's Artist of the Year and has been profiled on CBS's 60 Minutes and ABC's Nightline. He has won ten Grammy Awards for his recordings. In 2008 he received the Peabody Award for his radio series for SFS Media, The MTT Files. In 2010, President Obama awarded him with the National Medal of Arts, the highest award given to artists by the United States Government.
Composers Felix Mendelssohn
Works A Midsummer Night's Dream
Recorded Date 09-02-2015
Flute excerpt: Mendelssohn's A Midsummer Night's Dream - Scherzo
Cello excerpt: Mendelssohn's A Midsummer Night's Dream: Scherzo, with Morten Zeuthen
On conducting Strauss' Don Juan
Conducting coaching: The Firebird
Conducting coaching: Brahms Symphony No. 2