In-Video Bookmarks

Bt_movie_not_in_use Dotted eighth-sixteenth rhythms should be stylized (00h:01m:34s)
Bt_movie_not_in_use Position of bow to start the dotted figure (00h:03m:29s)
Bt_movie_not_in_use Angle of bow, rotated out, for better articulation (00h:04m:09s)
Bt_movie_not_in_use Length of dotted eighth (00h:04m:55s)
Bt_movie_not_in_use Match articulation in lower octave in upper part of the bow (00h:05m:09s)
Bt_movie_not_in_use Fingering of long scale, on the A string (00h:05m:49s)
Bt_movie_not_in_use Legato, sustain, fortissimo dynamic dictate middle part of bow (00h:12m:10s)
Bt_movie_not_in_use Triplet passage (00h:13m:28s)
Bt_movie_not_in_use Playing closer to the tip makes string crossings easier (00h:15m:30s)
Bt_movie_not_in_use Pressing too hard loses clarity (00h:16m:28s)
Bt_movie_not_in_use Sautillé stroke in the high triplets played in lower middle part of bow and comes from the string (00h:17m:30s)
Bt_movie_not_in_use Importance of bowing to get into correct position for successive passage (00h:20m:10s)
Bt_movie_not_in_use Izia plays the whole excerpt (00h:22m:15s)

Viola excerpt: Strauss' Don Juan with Robert Vernon

Robert Vernon, Principal Viola of the Cleveland Orchestra, works with Izia Weyman on Strauss' Don Juan.

Artists Bt_info_artist Robert Vernon

Composers Richard Strauss

Works DON JUAN, OP. 20

Instruments Viola

Recorded Date 13-01-2013