1

In-Video Bookmarks

Bt_movie_not_in_use Why is this excerpt requested? Classical style, differentiation from Beethoven (00h:00m:43s)
Bt_movie_not_in_use Clarity of articulation and attack, slight space between notes (00h:03m:34s)
Bt_movie_not_in_use Strong vs. weak beats (00h:04m:31s)
Bt_movie_not_in_use Bow position for passage after letter A (00h:05m:40s)
Bt_movie_not_in_use Don't "travel" too much on longer notes (00h:06m:50s)
Bt_movie_not_in_use Consistency of separation between notes (00h:07m:35s)
Bt_movie_not_in_use The sixteenth note should be placed as late as possible without delaying downbeat (00h:08m:45s)
Bt_movie_not_in_use Role of vibrato in articulation. Release in both hands (00h:10m:35s)
Bt_movie_not_in_use Clarity, notes speaking well (00h:15m:09s)
Bt_movie_not_in_use Playing in first position (00h:16m:25s)
Bt_movie_not_in_use Downbow and upbow attacks need to match (00h:16m:40s)
Bt_movie_not_in_use Suggestion of bowing and position for passage leading into letter B (00h:18m:19s)
Bt_movie_not_in_use Discussion of on vs. off the string playing (00h:20m:27s)
Bt_movie_not_in_use Words about the last movement (00h:24m:32s)

Viola excerpt: Mozart Symphony No. 35, 1st movement, with Robert Vernon

Robert Vernon, Principal Viola of the Cleveland Orchestra, works with NWS alumnus Adam Neeley on Mozart's Symphony No. 35, K. 385, 1st movement opening.

Artists Bt_info_artist Robert Vernon

Composers Wolfgang Amadeus Mozart

Works SYMPHONY NO. 35 IN D MAJOR, K. 385 ("HAFFNER")

Instruments Viola

Recorded Date 13-01-2013