Small_cleveland-color Tonality, atonality and Neo-Romanticism

Reflections | David Del Tredici, Composer
Bt_movie_not_in_use Atonality and changing styles 00h:00m:16s
Bt_movie_not_in_use Movement to tonality with "Alice" pieces 00h:01m:38s
Bt_movie_not_in_use Influence of Lewis Carroll 00h:02m:08s


Composer David Del Tredici discusses tonality, atonality and Neo-Romanticism

Instruments:
Composer



Thumb_tredici

David Del Tredici
Composer

Generally recognized as the father of the Neo-Romantic movement in music, David Del Tredici has received numerous awards (including the Pulitzer Prize) and has been commissioned and performed by nearly every major American and European orchestral ensemble. Much of his early work consisted of elaborate vocal settings of James Joyce (I Hear an Army; Night Conjure-Verse; Syzygy) and Lewis Carroll (Pop-Pourri, An Alice Symphony, Vintage Alice and Adventures Underground, to name just a few). More recently, Mr. Del Tredici has set to music a cavalcade of contemporary American poets. Over the past several years he has ventured into the more intimate realm of chamber music with String Quartet No. 1, Grand Trio (brought to life by the Kalichstein-Laredo-Robinson Trio and recently printed by Boosey & Hawkes), and a large number of solo-piano works (Gotham Glory, Three Gymnopedies, Ballad in Yellow, S/M Ballade, and Aeolian Ballade).