Small_nws_excemption3 Style and musical education

Reflections | Jorja Fleezanis, Violin
Bt_movie_not_in_use Musical education about historically informed performance practice 00h:00m:49s
Bt_movie_not_in_use Learn many different kinds of interpretations 00h:01m:34s
Bt_movie_not_in_use Listen to various recordings of excerpts to develop the right sound and timbre in your own playing 00h:01m:41s
Bt_movie_not_in_use Most difficult is playing well in the classical style 00h:01m:54s
Bt_movie_not_in_use Singing is important to interpreting passages, when you can sing you can play 00h:02m:27s
Bt_movie_not_in_use Think about the confidence you want to display 00h:04m:00s
Bt_movie_not_in_use Mock auditions are an important part of audition training 00h:04m:29s


Jorja Fleezanis, former Concertmaster of the Minnesota Orchestra, discusses style and musical education

Instruments:
Violin



Thumb_fleezanis-jorja-credit-courtesy-of-indiana-university

Jorja Fleezanis
Violin

Jorja Fleezanis joined the faculty of the Indiana University Jacobs School of Music in 2009 as Professor of Violin and holds the Henry Upper Chair in Orchestral Studies. Ms. Fleezanis was concertmaster of the Minnesota Orchestra from 1989 to 2009. Prior to Minnesota, she was associate concertmaster of the San Francisco Symphony for eight years.
A devoted teacher, Ms. Fleezanis became an adjunct faculty member at the University of Minnesota's School of Music in 1990. She has also enjoyed teaching roles with other organizations: as teacher and artist at the Round Top International Festival Institute in Texas (1990-2007); artist-in-residence at the University of California, Davis; guest artist and teacher at the San Francisco Conservatory, where she served on the faculty from 1981 to 1989; artist and mentor at the Music@Menlo Festival (2003-2008); teacher and coach at the New World Symphony (1988-present), and a visiting teacher to the Boston Conservatory, The Juilliard School and Interlochen Academy and Summer Camp. Ms. Fleezanis studied at the Cincinnati Conservatory of Music and the Cleveland Institute of Music.