Small_nws_excemption3 Rimsky-Korsakov: Scheherazade, 2nd mvt.

Orchestral Excerpts | Michael Rusinek, Clarinet / Michael Tilson Thomas, Conductor
Bt_movie_not_in_use MTT's opening remarks 00h:00m:01s
Bt_movie_not_in_use Michael plays the excerpt 00h:00m:40s
Bt_movie_not_in_use Each phrase starts with the same dynamic; forte to piano 00h:01m:30s
Bt_movie_not_in_use Coming up with a plan for the excerpt 00h:02m:00s
Bt_movie_not_in_use Awareness of string accompaniment during recitative 00h:02m:40s
Bt_movie_not_in_use 16th-note pizzicati establish quarter note pulse 00h:03m:08s
Bt_movie_not_in_use Repeated B-flat fingering 00h:04m:04s
Bt_movie_not_in_use No diminuendo on last note of each phrase 00h:05m:15s


Following an introduction by MTT, Michael Rusinek, Principal Clarinet of the Pittsburgh Symphony Orchestra, covers an excerpt from Scheherazade, 2nd movement.

Composers:
Nikolai Andreyevich Rimsky-Korsakov

Works:
SCHEHERAZADE, OP. 35

Instruments:
Clarinet



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Michael Rusinek
Clarinet

Michael Rusinek joined the Pittsburgh Symphony Orchestra in the fall of 1998 as Principal Clarinet. Born in Toronto, his early studies were with Avrahm Galper at the Royal Conservatory of Music. He later attended The Curtis Institute of Music in Philadelphia. Upon graduation, he was appointed by Mstislav Rostropovich to the post of Assistant Principal Clarinet with the National Symphony Orchestra in Washington, D.C. In addition to his position in the Pittsburgh Symphony, he has performed as Principal Clarinet with the Orchestras of Philadelphia and The Royal Concertgebouw in Amsterdam.

Rusinek has performed as a soloist with many orchestras and as a recitalist across Canada, on CBC Radio, and throughout the United States and Israel, including appearances with the Toronto Symphony, Belgrade Philharmonic, Royal Conservatory of Music Orchestra, and the Symphony Orchestra of The Curtis Institute of Music. He has been heard as soloist with the Pittsburgh Symphony many times, and in the 2007-2008 season, premieres a new concerto by composer Alan Fletcher, commissioned by the Pittsburgh Symphony.

In 1985, Rusinek was awarded the grand prize in the International Clarinet Society competition, and was a prizewinner in the Belgrade International clarinet competition. He has participated in numerous music festivals around the world, including the Tanglewood Music Festival, the Festival of the Sound in Parry Sound, the Portland Chamber Music Festival, and Music In the Vineyards in Napa Valley. He can also be heard regularly at the Festival de Musique in St. Barth’s, as well as at the Grand Teton, Santa Fe Chamber, and Aspen music festivals. He has performed at the Marlboro Music Festival, and toured with the acclaimed “Musicians from Marlboro”.

Rusinek was recently featured on the Sony label celebrating Marlboro’s 50th anniversary. In the summer of 2000, he performed as Principal Clarinet in the Super World Orchestra, an ensemble comprised of musicians from orchestras around the world. Dedicated to teaching, he has led master classes around the country, including at The Curtis Institute, the Manhattan School of Music, and the New World Symphony. He served on the faculty of the Canton International Summer Music Academy in Canton, China for its inaugural season, and returns often to play and teach in Tianjin and Beijing. He has also served on the faculty of Instrumenta Verano in Mexico. He is currently on faculty at the School of Music at Carnegie Mellon University. When he is not performing or teaching, you may often find him on the golf course, or playing hockey in a non-contact league.



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Michael Tilson Thomas
Conductor

Michael Tilson Thomas is Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony and Principal Guest Conductor of the London Symphony Orchestra. Born in Los Angeles, he is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.

Mr. Tilson Thomas began his formal studies at the University of Southern California where he studied piano with John Crown and conducting and composition with Ingolf Dahl. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra. He worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles' Monday Evening Concerts. During this same period he was the pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.

In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.
His recorded repertoire of more than 120 discs includes works by composers such as Bach, Beethoven, Mahler, Prokofiev and Stravinsky as well as his pioneering work with the music of Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. He recently finished recording the complete orchestral works of Gustav Mahler with the San Francisco Symphony.

Mr. Tilson Thomas's television work includes a series with the London Symphony Orchestra for BBC Television, the television broadcasts of the New York Philharmonic Young People's Concerts from 1971 to 1977 and numerous productions on PBS Great Performances. Mr. Tilson Thomas and the San Francisco Symphony produced a multi-tiered media project, Keeping Score, which includes a television series, web sites, radio programs and programs in schools.
In February 1988 he inaugurated the New World Symphony, an orchestral academy for graduates of prestigious music programs. In addition to their regular season in Miami Beach, they have toured in Austria, France, Great Britain, South America, Japan, Israel, Holland, Italy and the United States. Prior to their January, 2007 appearance at Carnegie Hall, the New World Symphony was profiled in a feature story in The New York Times. New World Symphony graduates have gone on to major positions in orchestras worldwide. In 1991 Mr. Tilson Thomas and the orchestra were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of From the Diary of Anne Frank, composed by Mr. Tilson Thomas and commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide.

In August 1995 he led the Pacific Music Festival Orchestra in the premiere of his composition Showa/Shoah, commemorating the 50th anniversary of the bombing of Hiroshima. Thomas Hampson premiered his settings of poetry by Walt Whitman, Renee Fleming premiered his settings of the poetry of Emily Dickinson and the San Francisco Symphony premiered his concerto for contrabassoon entitled Urban Legend. As a Carnegie Hall Perspectives Artist from 2003 to 2005, he had an evening devoted to his own compositions which included Island Music for four marimbas and percussion, Notturno for solo flute and strings and a new setting of poems by Rainer Maria Rilke. Other compositions include Street Song for brass instruments and Agnegram, an overture for orchestra.

As Principal Conductor of the London Symphony Orchestra from 1988 to 1995, Mr. Tilson Thomas led the orchestra on regular tours in Europe, the United States and Japan as well as at the Salzburg Festival. In London he and the orchestra have mounted major festivals focusing on the music of Steve Reich, George Gershwin, Johannes Brahms, Toru Takemitsu, Nicolai Rimsky-Korsakov and the School of St. Petersburg, Claude Debussy and Gustav Mahler. As Principal Guest Conductor of the LSO, he continues to lead the orchestra in concerts in London and on tour.
His fifteen-year tenure as Music Director of the San Francisco Symphony has been broadly covered by the international press with feature stories in Time, Newsweek, The Wall Street Journal, The New York Times, Los Angeles Times, The Times of London and The Frankfurter Allgemeine Zeitung among many others. With the San Francisco Symphony he has presented eight summer festivals including ones devoted to the music of Mahler, Stravinsky, Wagner and American Mavericks. With the San Francisco Symphony he has made numerous tours of Europe, United States and the Far East.

Mr. Tilson Thomas is a Chevalier dans l'ordre des Arts et des Lettres of France, was Musical America's Musician of the Year and Conductor of the Year, Gramophone Magazine's Artist of the Year and has been profiled on CBS's 60 Minutes and ABC's Nightline. He has won ten Grammy Awards for his recordings. In 2008 he received the Peabody Award for his radio series for SFS Media, The MTT Files. In 2010, President Obama awarded him with the National Medal of Arts, the highest award given to artists by the United States Government.