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In-Video Bookmarks

Bt_movie_not_in_use Discussion of pedaling (00h:01m:12s)
Bt_movie_not_in_use Find places to play softer, more intimately (00h:01m:25s)
Bt_movie_not_in_use Pedal helps with sweep and drama (00h:03m:01s)
Bt_movie_not_in_use Second theme should be continuous (00h:04m:00s)
Bt_movie_not_in_use Music-making is like speaking: everything matters (00h:08m:32s)
Bt_movie_not_in_use Ends of phrases are just important as beginnings (00h:10m:04s)
Bt_movie_not_in_use Pacing of long crescendo (00h:12m:46s)
Bt_movie_not_in_use Paying attention to principal voice and coloration (00h:14m:20s)
Bt_movie_not_in_use While observing phrase markings, don't lose the musical line (00h:17m:09s)
Bt_movie_not_in_use Finding a consensus (00h:19m:22s)
Bt_movie_not_in_use Floating the major key version of the melody (00h:24m:40s)
Bt_movie_not_in_use Pacing of the coda (00h:30m:20s)

Pianist Anne-Marie McDermott in a Master Class on Mendelssohn's Piano Trio in D minor, first movement

Concert Pianist Anne-Marie McDermott works with Aya Yamamoto on the first movement of Mendelssohn's Piano Trio in D minor, Op. 49. Nina Heidenreich, violin and Santiago Bernal, cello.

Artists Bt_info_artist Anne-Marie McDermott

Composers Felix Mendelssohn

Works PIANO TRIO NO. 1 IN D MINOR, OP. 49

Instruments Piano, Violin, and Cello

Recorded Date 05-10-2014