Mozart: Oboe Concerto, 1st mvt.
|Concerto begins in an unflattering key - you need to win the committee from the beginning||00h:00m:22s|
|Allegro aperto marking means "open" allegro||00h:00m:50s|
|Coming off the trill, include the resolution in the beginning of the scale||00h:01m:01s|
|You don't need to make a "karate" move on the high C - it should be welcoming||00h:01m:23s|
|Do something on the long note with vibrato, dynamic, etc.||00h:02m:01s|
Eugene Izotov, principal oboist of the San Francisco Symphony, discusses how to play Mozart's Oboe Concerto in C major, a standard piece of audition repertoire for oboists worldwide.
Wolfgang Amadeus Mozart
Eugene Izotov is one of today's leading wind players, internationally renowned for his “fiery Russian temperament” (Boston Globe), “ravishing playing” (Washington Post), and "luminous beauty of tone” (San Francisco Chronicle). Appointed by Michael Tilson Thomas in 2014, Eugene Izotov is currently the principal oboist of the San Francisco Symphony. He previously served as the principal oboist of the Chicago Symphony, appointed by Daniel Barenboim, principal oboist of the Metropolitan Opera, appointed by James Levine, and as guest principal oboist with the Boston Symphony and Los Angeles Philharmonic.
Eugene Izotov is the first Russian-born musician in history to hold a principal wind position in any major American symphony orchestra. His numerous awards include top prizes at solo competitions in Saint Petersburg (1991), Moscow (1990), New York (1995), and at the Fernand Gillet International Competition (2001).
Izotov has appeared over 50 times as soloist with the Chicago Symphony Orchestra, Boston Symphony, San Francisco Symphony, MET Chamber Ensemble, Pacific Music Festival Orchestra, and has collaborated with Bernard Haitink, Valery Gergiev, James Levine, Nicholas McGegan, Edo De Waart, Ludovic Morlot, Ton Koopman, Riccardo Muti, and Michael Tilson Thomas performing works by Mozart, Strauss, Marcello, Haydn, Martinu, Vivaldi, Carter, Hummel, Krommer and Bach. Eugene Izotov has recorded for Sony Classical, BMG, Boston Records, Elektra, CSOResond, SFSMedia, and was a featured soloist with the Chicago Symphony under the baton of John Williams on the Oscar-nominated recording for Steven Spielberg's film Lincoln. A prolific chamber musician, Eugene Izotov has collaborated regularly with the MET Chamber Ensemble throughout its residence at Carnegie Hall, as well as with Yefim Bronfman, Pinchas Zukerman, Jamie Laredo, Yo Yo Ma, Emanuel Ax, André Watts, and the Tokyo String Quartet.
Mr. Izotov teaches at the San Francisco Conservatory and has previously served on the faculty of The Juilliard School and DePaul University. One of today’s most prolific teachers, he presents regular master classes at conservatories across the nation and abroad, such as Aspen Music Festival, New World Symphony, Boston University, Manhattan School of Music, University of Michigan, University of California at Berkeley, HuyndaI Center (Seoul, Korea), Lynn University, Tanglewood Music Center, Domaine Forget (Canada), and Interlochen Center for the Arts. In 2003, at the invitation of Maestro James Levine, Mr. Izotov joined the faculty of the Verbier Festival Orchestra in Switzerland. Since 2005 he serves on the International Principals faculty of the Pacific Music Festival founded by Leonard Bernstein in Sapporo, Japan. Eugene Izotov has served as the oboe mentor for the 2011 YouTube Symphony Orchestra during its residency at the Sydney Opera House in Sydney, Australia which included a live internet simulcast to over 30 million of worldwide viewers. In 2014, Eugene Izotov has joined the woodwind faculty of the Music Academy of the West. Upcoming highlights for 2017/18 include teaching engagements and residencies at the New World Symphony, Cleveland Institute of Music, McGill University, and Oberlin College.
Born in Moscow, Russia, Izotov studied at the Gnesin School of Music with Ivan Pushechnikov and Sergey Velikanov and at Boston University School of Fine Arts with Ralph Gomberg.