Mozart: Sonata No. 27, K. 379, 1st mvt.
|Discussion of relationship of Adagio tempo to Allegro tempo||00h:08m:26s|
|Different versions of double-stop attacks||00h:12m:34s|
|Changes of aesthetic in the 'minore' section||00h:14m:50s|
|Bow usage in the Allegro section||00h:17m:46s|
|Allusion to David Oistrakh and using more bow||00h:18m:37s|
Gil Shaham works with Colleen McCullough on Mozart's Sonata No. 27 in G for violin and piano, K. 379
Piano and Violin
Gil Shaham is one of the foremost violinists of our time, who’s combination of flawless technique with inimitable warmth and a generosity of spirit has solidified his legacy as an American master. He is sought after throughout the world for concerto appearances with leading orchestras and conductors, and he regularly gives recitals and ensemble appearances on the great concert stages and at the most prestigious festivals. In the 2012-13 season, Shaham continues his long-term exploration of “Violin Concertos of the 1930s,” a project beginning in 2010 and comprising performances at some of the most well-established concert venues with the world’s greatest orchestras. “Violin Concertos of the 1930s,” including the Barber, Berg, Stravinsky and Britten Violin Concertos, as well as the Bartok Violin Concerto No. 2 and the Prokofiev Violin Concerto No. 2, will be performed with the Orchestras of Baltimore, Boston, New York, Chicago, Montreal, San Francisco and Kansas City and abroad with the Orchestre de Paris and the NHK Symphony.
Shaham is also an avid recitalist and chamber musician. During recital tours in the US, Europe and Japan, Shaham explores new work including the world premiere of a solo suite written for him by William Bolcom and the recent commissioned duo works by Avner Dorman and Julian Milone with Akira Euguchi on piano. This season also sees Shaham return to Bach’s Sonatas and Partitas for solo violin, bringing his unique approach to these beloved works with an eye towards releases the complete work on CD in the coming seasons.
Gil Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of seven, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, while studying with Haim Taub in Jerusalem, he made debuts with the Jerusalem Symphony and the Israel Philharmonic. That same year he began his studies with Dorothy DeLay and Jens Ellerman at Aspen. In 1982, after taking first prize in Israel’s Claremont Competition, he became a scholarship student at Juilliard, where he worked with DeLay and Hyo Kang. He also studied at Columbia University.