Audition Preparation

Audition Preparation | Mark Sparks, Flute
Bt_movie_not_in_use Rhythm is probably the most important musical element that needs to be displayed in an audition 00h:00m:27s
Bt_movie_not_in_use Rhythm is a natural phenomenon, dance is a great example of the physicality of rhythm 00h:01m:05s
Bt_movie_not_in_use Practicing with a metronome can be challenging. Can be hard to hear the metronome 00h:01m:37s
Bt_movie_not_in_use Prioritizing all the skills is vital. Each excerpt stresses different elements 00h:03m:01s
Bt_movie_not_in_use Use long tones to develop sound and volume 00h:03m:30s
Bt_movie_not_in_use Technical passages need to sound relaxed or they won't be convincing 00h:04m:02s
Bt_movie_not_in_use Focus on a single aspect of an excerpt, then move on to another 00h:05m:07s
Bt_movie_not_in_use Know the entire work, not just the flute part. Recordings and full score study are critical 00h:06m:00s


Mark Sparks, Principal Flute of the Saint Louis Symphony, discusses aspects of audition preparation.

Instruments:
Flute

Recorded Date: 05-09-2013



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Mark Sparks
Flute

Mark Sparks was appointed Principal Flute of the St. Louis Symphony by the late Hans Vonk in 2000. He is a frequent soloist with the Symphony and other orchestras and has performed in the United States, Europe, Scandinavia, South America, and Asia. He has appeared as Guest Principal Flutist with many ensembles, including the New York Philharmonic, Chicago Symphony, Pittsburgh Symphony, Detroit Symphony, and the Bergen (Norway) Philharmonic.

Prior to his appointment in St. Louis Sparks was Associate Principal Flute with the Baltimore Symphony under David Zinman, and Principal Flute of the San Antonio Symphony and the Memphis Symphony. He began his career as Principal in the Canton Ohio Symphony and in Venezuela with the Caracas Philharmonic.

In the summer of 2013 Sparks returned to the Aspen Music Festival and School where he is an artist-faculty member and Principal Flute of the Aspen Chamber Symphony. He also taught his fourth annual master class at Missouri's Innsbrook Institute, and joined the faculty of the Pacific Music Festival in Sapporo, Japan.

Sparks is an enthusiastic teacher and maintains a private studio in St. Louis. He is a former full-time faculty member of the Peabody Institute, and frequently presents clinics and recitals in the U.S. and abroad. Sparks has recorded two solo albums, appearing on the Summit and AAM labels, and a new recording of French repertoire for flute and piano is planned for release in 2013. Sparks is also an avid writer about flute playing, and is a regular contributor to Flute Talk magazine's feature "From the Principal's Chair."

Born in 1960 and raised in Cleveland and St. Louis, Sparks graduated Pi Kappa Lambda from the Oberlin Conservatory as a student of Robert Willoughby, winning the 1982 Oberlin Concerto Prize.