Lewis Carroll and 'Final Alice'
|At age 10, played the White Rabbit||00h:00m:28s|
|His system wanted to become tonal, the text demanded it||00h:00m:52s|
|In 'Final Alice' it finally became more explicit||00h:02m:07s|
|First performance had to be cut because it was too long||00h:02m:56s|
Composer David Del Tredici discusses Lewis Carroll and 'Final Alice'
Generally recognized as the father of the Neo-Romantic movement in music, David Del Tredici has received numerous awards (including the Pulitzer Prize) and has been commissioned and performed by nearly every major American and European orchestral ensemble. Much of his early work consisted of elaborate vocal settings of James Joyce (I Hear an Army; Night Conjure-Verse; Syzygy) and Lewis Carroll (Pop-Pourri, An Alice Symphony, Vintage Alice and Adventures Underground, to name just a few). More recently, Mr. Del Tredici has set to music a cavalcade of contemporary American poets. Over the past several years he has ventured into the more intimate realm of chamber music with String Quartet No. 1, Grand Trio (brought to life by the Kalichstein-Laredo-Robinson Trio and recently printed by Boosey & Hawkes), and a large number of solo-piano works (Gotham Glory, Three Gymnopedies, Ballad in Yellow, S/M Ballade, and Aeolian Ballade).