In-Video Bookmarks

Bt_movie_not_in_use People can be distinguished by the way they play and release the second halves of notes (00h:00m:18s)
Bt_movie_not_in_use Beethoven 5 excerpt - how is the rhythm conveyed? Does it sound too literal? (00h:03m:34s)
Bt_movie_not_in_use Every note has to be full of life and transcend off the page (00h:09m:55s)
Bt_movie_not_in_use Playing a perfect audition - is there such a thing? (00h:17m:05s)
Bt_movie_not_in_use Why would someone not be granted tenure? (00h:22m:15s)
Bt_movie_not_in_use What kinds of things tend to be polarizing within committees or sections? (00h:30m:15s)
Bt_movie_not_in_use For good players, their placement in the order usually doesn't matter (00h:34m:15s)
Bt_movie_not_in_use Has your playing changed by being a "professional"? (00h:40m:40s)
Bt_movie_not_in_use What characteristics do you look for in a principal player as opposed to section? (00h:48m:29s)

Kosower:Wickesberg:Turner - Low Strings Audition Training Seminar

Mark Kosower, Principal Cello of the Cleveland Orchestra, Jeffrey Turner, Principal Bass of the Pittsburgh Symphony and Andrew Wickesberg, violist of the Pittsburgh Symphony, discuss auditions for low string players.

Artists Bt_info_artist Mark Kosower Bt_info_artist Andrew Wickesberg Bt_info_artist Jeffrey Turner

Instruments Cello, Double Bass, and Viola

Recorded Date 05-11-2014