Small_msm_2014-15_transparent Gounod: "Avant de quitter ces lieux" from Faust

Master Classes | Thomas Hampson, Baritone (voice)
Bt_movie_not_in_use How to introduce an aria 00h:00m:00s
Bt_movie_not_in_use Performance begins 00h:02m:13s
Bt_movie_not_in_use Class begins; how to overcome nervousness when performing 00h:06m:39s
Bt_movie_not_in_use Posture and energy: "the spine must be as long as it is built in your body" 00h:08m:18s
Bt_movie_not_in_use Understanding the structure of the ribs and how they work 00h:09m:30s
Bt_movie_not_in_use What is support? 00h:11m:56s
Bt_movie_not_in_use Don't weaken your singing apparatus while singing a sweet phrase. 00h:13m:28s
Bt_movie_not_in_use Tempi in this aria 00h:14m:18s
Bt_movie_not_in_use Where is your energy and weight? Stay in your feet. 00h:15m:07s
Bt_movie_not_in_use Practice just singing the vowels. 00h:16m:28s
Bt_movie_not_in_use You can start softer at the beginning of the aria. 00h:17m:19s
Bt_movie_not_in_use "Take a breath that is only about what you're going to sing." 00h:18m:09s
Bt_movie_not_in_use Legato: "there is no ending to the nasalizations" 00h:19m:22s
Bt_movie_not_in_use The lower part of the phrase needs the same resonance as the higher part. 00h:20m:16s
Bt_movie_not_in_use To the accompanist: know the orchestration and you need to hear the music before you begin playing. 00h:22m:05s
Bt_movie_not_in_use More practice with just singing vowels 00h:23m:01s
Bt_movie_not_in_use To the accompanist: you need a little more armweight 00h:25m:51s
Bt_movie_not_in_use Resonance, compliment to the student, and character of Valentin 00h:27m:20s
Bt_movie_not_in_use "Breathe into what you want to sing." 00h:28m:40s
Bt_movie_not_in_use Although the rhythm is different, the B section must be as legato as the A section. 00h:30m:37s
Bt_movie_not_in_use Don't lean forward at the end of the aria. 00h:35m:28s
Bt_movie_not_in_use Closing comments 00h:36m:29s


The renowned American baritone and Manhattan School of Music Distinguished Visiting Artist coaches audition-selected voice students on the masterpieces of vocal literature. In part 2 of 2, Mr. Hampson coaches SeokJong Baek, baritone, as he sings "Avant de quitter ces lieux" from Charles Gounod's Faust with SeokJong's pianist, Tao Jiang. The class was held in the Gordon K. & Harriet Greenfield Hall at Manhattan School of Music on Tuesday, February 3, 2015. (Live Webcast, pt.2 (2015).)

Composers:
Charles Gounod

Works:
FAUST

Instruments:
Baritone (voice) and Piano

Recorded Date: 03-02-2015



Thomas Hampson
Baritone (voice)

Praised by the New York Times for his “ceaseless curiosity,” Thomas Hampson enjoys a singular international career as an opera singer, recording artist, and “ambassador of song,” maintaining an active interest in research, education, musical outreach, and technology. The American baritone has performed in the world’s most important concert halls and opera houses with many renowned singers, pianists, conductors, and orchestras. One of the most respected, innovative, and sought-after soloists performing today, he was recently inducted to Gramophone’s 2013 “Hall of Fame”; honored as a Metropolitan Opera Guild “Met Mastersinger”; and presented with the first Venetian Heritage Award (2013) and the Concertgebouw Prize (2011).
On the opera stage in the 2013-14 season, the baritone makes his role debut as the eponymous antihero of Berg’s Wozzeck at the Metropolitan Opera, in a production featuring Deborah Voigt and led by James Levine. Hampson also reprises his star turn in the title role of Simon Boccanegra at the Vienna State Opera, and revisits such signature parts as Amfortas in Parsifal at Lyric Opera of Chicago (as well as in concert with the National Symphony); Giorgio Germont in La traviata at the Bavarian State Opera; Mandryka in Arabella at the Salzburg Festival; and Scarpia in Tosca at both the Deutsche Oper Berlin and London’s Royal Opera House. In the concert hall, he opens the season in performances of Eisler’s Ernste Gesänge with Christian Thielemann and the Staatskapelle Dresden, and sings Brahms, Schubert, and Wolf on a twelve-stop European tour with the Amsterdam Sinfonietta. Other orchestral collaborations include programs of arias and duets with Luca Pisaroni in Prague, Bratislava, Essen, Baden-Baden, and Paris, and selections from Des Knaben Wunderhorn with the BBC Scottish Symphony. The baritone takes his celebrated lieder recitals to London’s Wigmore Hall, the Leipzig Gewandhaus, and to Coburg, Heidelberg, Brussels, and Berne.
In the 2012-13 season, Hampson’s operatic engagements brimmed with Verdi, from his company role debut as Iago in Otello at the Metropolitan Opera to singing Giorgio Germont at the Vienna State Opera. Having wowed critics in the title role of Simon Boccanegra at Chicago’s Lyric, the baritone reprised the Doge – in concert and live recording, which is due for fall release – at Vienna’s Konzerthaus, and looks forward to closing the season in the role at London’s Royal Opera House. It was as Scarpia that he opened the present season at Santa Fe Opera, and he revisited the role at Zurich Opera, where he also portrayed Wolfram in Tannhäuser. He returns to Wagner in summer 2013, singing Amfortas at the Munich Opera Festival, before rejoining the Salzburg Festival as Rodrigo in a new Pappano/Stein production of Verdi’s Don Carlo.
Hampson’s recent international concert and recital engagements include performances in New York, Munich, London, Vienna, San Francisco, and more. He made gala appearances at Baden-Baden’s Festspielhaus on New Year’s Eve and celebrated the Concertgebouw Orchestra’s 125th anniversary in Amsterdam. His collaborative projects also included a European tour with the Wiener Virtuosen, an appearance with the Borusan Istanbul Philharmonic Orchestra, and concerts with the Jupiter String Quartet – featuring a world premiere by Mark Adamo – in New York, Boston, and Davis, California. Other artistic partnerships included performances with the Los Angeles, London, Munich, and Israel Philharmonics, and the National Symphony.
Internationally recognized for his versatility in operatic repertoire both classical and contemporary, the baritone created the role of Rick Rescorla in the San Francisco Opera’s world premiere production of Christopher Theofanidis’s Heart of a Soldier, which commemorated the tenth anniversary of the 9/11 attacks in 2011. Other important firsts for Hampson in the 2011-12 season included his role debuts as Iago in Otello and in the title role of Hindemith’s Mathis der Maler, both at Zurich Opera, as well as his house role debut as Verdi’s Macbeth at the Metropolitan Opera.
Hampson was recently inducted into the American Academy of Arts and Sciences and has won worldwide recognition for thoughtfully researched and creatively constructed programs that explore the rich repertoire of song in a wide range of styles, languages, and periods. Through the Hampsong Foundation (www.hampsongfoundation.org), founded in 2003, he employs the art of song to promote intercultural dialogue and understanding. He is one of the most important interpreters of German Romantic song and with his celebrated “Song of America” project (www.songofamerica.net), a collaboration with the Library of Congress, he has become known as the “Ambassador of American song.”
The singer’s commitment to cross-cultural communication through music and text was showcased in CNN’s “Fusion Journeys” series, for which Hampson was filmed in South Africa in a musical exchange with Ladysmith Black Mambazo. The past season also saw the debut of the “Song of America” radio series, co-produced by the Hampsong Foundation and the WFMT Radio Network of Chicago. Conceived and hosted by the baritone, the series consists of 13 hour-long programs exploring the history of American culture through song, and has aired in more than 250 U.S. markets. A passionate teacher, Hampson will return for master classes to both the Manhattan School of Music’s Distance Learning program and Heidelberger Frühling’s Lied Academy, of which he is the co-founder and artistic director.
Hailing from Spokane, Washington, Hampson has received many honors and awards for his probing artistry and cultural leadership. Comprising more than 150 albums, his discography includes winners of a Grammy Award, five Edison Awards, and the Grand Prix du Disque. He received the 2009 Distinguished Artistic Leadership Award from the Atlantic Council in Washington, DC, and was appointed the New York Philharmonic’s first Artist-in-Residence. In 2010 he was honored with a Living Legend Award by the Library of Congress, where he serves as Special Advisor to the Study and Performance of Music in America. Hampson holds honorary doctorates from Manhattan School of Music, Whitworth College, and San Francisco Conservatory, besides being an honorary member of London’s Royal Academy of Music.He carries the titles of Kammersänger of the Vienna State Opera and Commandeur dans l’Ordre des Arts et des Lettres of the Republic of France, and was awarded the Austrian Medal of Honor in Arts and Sciences. In 2011 Hampson was again named ECHO Klassik’s “Singer of the Year,” marking the fourth time he has received that distinction over a 20-year period.