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In-Video Bookmarks

Bt_movie_not_in_use How do you find these priorities contribute to the qualities that you're striving for in your orchestra? (00h:01m:03s)
Bt_movie_not_in_use In your experience, have you found there to be any difference in how those priorities are weighted in other orchestra's auditions? (00h:01m:51s)
Bt_movie_not_in_use How do your priorities change if listening for a section member versus section leader position? (00h:03m:12s)
Bt_movie_not_in_use What is your opinion on communication between the audition committee and the candidate, both during and prior to the audition? (00h:04m:07s)
Bt_movie_not_in_use How would one get feedback from committee members following an unsuccessful audition? (00h:05m:09s)
Bt_movie_not_in_use What would you change about the audition process if you could? (00h:06m:12s)

Global Audition Training Interview with Anton Sorokow

Anton Sorokow, Concertmaster of the Vienna Symphony Orchestra, discusses the audition experience with the VSO. (A Global Audition Training Interview)

Artists Bt_info_artist Anton Sorokow

Instruments Violin