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In-Video Bookmarks

Bt_movie_not_in_use MTT: Nice if you can play the solo on one breath, but it's not necessary (00h:00m:00s)
Bt_movie_not_in_use Henrik plays demo of long solo (00h:01m:11s)
Bt_movie_not_in_use Freedom to make color choices (00h:01m:12s)
Bt_movie_not_in_use Creating atmosphere, keeping control of sound (00h:02m:29s)
Bt_movie_not_in_use Henrik plays demo of opening solo (00h:03m:51s)
Bt_movie_not_in_use To practice playing in one breath, start with slow tempo (00h:05m:09s)
Bt_movie_not_in_use Or start at end and work backward by adding more measures (00h:05m:37s)
Bt_movie_not_in_use Solo needs to sound free, but underlying pulse needs to be established first (00h:06m:13s)
Bt_movie_not_in_use Practice playing sixteenth notes for each pitch (00h:06m:33s)
Bt_movie_not_in_use Connection of tri-tone between C sharp and G (00h:10m:30s)

Flute excerpt: Debussy's Afternoon of a Faun with Joshua Smith

Following an introduction by MTT, Joshua Smith, Principal Flute of the Cleveland Orchestra, works with New World Symphony alumnus Henrik Heide on Debussy's Prelude a l'apres-midi d'un faune.

Artists Bt_info_artist Joshua Smith Bt_info_artist Michael Tilson Thomas

Composers Claude Debussy

Works PRELUDE A L'APRES-MIDI D'UN FAUN

Instruments Flute