4

In-Video Bookmarks

Bt_movie_not_in_use What is important as an orchestral player? (00h:00m:18s)
Bt_movie_not_in_use Timothy's career background (00h:01m:30s)
Bt_movie_not_in_use Maintaining individuality (00h:04m:06s)
Bt_movie_not_in_use Creating opportunities for yourself (00h:04m:50s)
Bt_movie_not_in_use Keeping yourself motivated (00h:07m:30s)
Bt_movie_not_in_use Brendan plays Koussevitzky (00h:11m:08s)
Bt_movie_not_in_use Timothy comments (00h:15m:44s)
Bt_movie_not_in_use Getting a "suave" approach (00h:16m:33s)
Bt_movie_not_in_use Choosing a tempo (00h:17m:18s)
Bt_movie_not_in_use When to use glissandi/different types of shifts (00h:20m:15s)
Bt_movie_not_in_use Having "organic flow" with rhythm (00h:23m:28s)
Bt_movie_not_in_use Brendan plays Verdi's Otello (00h:28m:34s)
Bt_movie_not_in_use Starting softer to get a wide range of dynamics (00h:31m:41s)
Bt_movie_not_in_use Establishing a tempo in the long notes (00h:32m:43s)
Bt_movie_not_in_use Mendelssohn "Italian" Symphony (00h:38m:33s)
Bt_movie_not_in_use Getting in the groove (00h:41m:10s)
Bt_movie_not_in_use Thinking the melody while playing the bass line (00h:43m:01s)
Bt_movie_not_in_use Beethoven 5 Scherzo (00h:44m:46s)
Bt_movie_not_in_use Getting more contrast between dynamics (00h:47m:58s)
Bt_movie_not_in_use Keeping the bow moving (00h:49m:16s)
Bt_movie_not_in_use Starting from motion (00h:49m:30s)
Bt_movie_not_in_use Connections between character changes (00h:51m:05s)
Bt_movie_not_in_use Discussion of sight reading at auditions (00h:53m:44s)
Bt_movie_not_in_use Lee plays Bach Suite 3 Bourrees (00h:56m:19s)
Bt_movie_not_in_use Eliminating left-hand "finger noise" (00h:59m:02s)
Bt_movie_not_in_use Finding contrast in note lengths (01h:00m:17s)
Bt_movie_not_in_use Organizing bow distribution (01h:01m:23s)
Bt_movie_not_in_use Using intervals to determine note length (01h:06m:06s)
Bt_movie_not_in_use Questions and answers within the phrase (01h:06m:54s)
Bt_movie_not_in_use Changing colors within different sections (01h:12m:44s)
Bt_movie_not_in_use Lee plays Otello (01h:17m:12s)
Bt_movie_not_in_use Keeping a large pulse throughout (01h:19m:17s)
Bt_movie_not_in_use Sustaining sound on long notes (01h:20m:02s)
Bt_movie_not_in_use Shifting with the arm vs. finger (01h:24m:51s)

Double Bass Master Class

Timothy Pitts talks about his career and works on the Koussevitzky Concerto, Verdi Otello soli, Mendelssohn "Italian" Symphony, Beethoven 5 Scherzo with Brendan Kane, and Bach Suite no. 3 Bourrees with Lee Philip.

Artists Bt_info_artist Timothy Pitts

Instruments Double Bass