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In-Video Bookmarks

Bt_movie_not_in_use Lee plays the excerpt (00h:00m:21s)
Bt_movie_not_in_use Two distinct styles in the excerpt; change the character between the melodic theme and light off-the-string eighth notes (00h:01m:10s)
Bt_movie_not_in_use Mozart uses appoggiatura to create tension. Relaxation comes from resolution. (00h:01m:43s)
Bt_movie_not_in_use Extend second finger in F-C-D shift (00h:02m:56s)
Bt_movie_not_in_use Off the string stroke is more brushy than in Beethoven or Brahms (00h:04m:10s)
Bt_movie_not_in_use Bouncing the bow (00h:05m:20s)
Bt_movie_not_in_use Intonation needs to be precise (00h:06m:15s)
Bt_movie_not_in_use Lee plays the entire excerpt following Tim's recommendations (00h:07m:40s)

Double bass excerpt: Mozart Symphony No. 39

Rice University double bass professor Timothy Pitts works with New World Symphony Fellow Lee Philip on an excerpt from Mozart's Symphony No. 39

Artists Bt_info_artist Timothy Pitts

Composers Wolfgang Amadeus Mozart

Works SYMPHONY NO. 39 IN E-FLAT MAJOR, K. 543

Instruments Double Bass