In-Video Bookmarks

Bt_movie_not_in_use Strauss didn't think of the beginning of the piece as being autobiographical but rather a depiction of selfless heroism (00h:01m:41s)
Bt_movie_not_in_use Since celli and horns play in unison, this should be in a singing character (00h:03m:25s)
Bt_movie_not_in_use Not very many accents on the page (00h:03m:55s)
Bt_movie_not_in_use Dynamics are not overmarked; ff is saved for moments which build on earlier statements (00h:04m:25s)
Bt_movie_not_in_use Importance of the long notes (00h:05m:12s)
Bt_movie_not_in_use Preparatory motion (00h:06m:18s)
Bt_movie_not_in_use Sing through the bow changes (00h:07m:00s)
Bt_movie_not_in_use Trills should be played a little shorter than a full quarter (00h:08m:04s)
Bt_movie_not_in_use Change character before Reh 3 (00h:08m:48s)
Bt_movie_not_in_use Hold tempo slightly one ms. before Reh 5 (00h:09m:49s)
Bt_movie_not_in_use Mark plays the entire excerpt (00h:11m:36s)

Cello excerpt: Strauss' Ein Heldenleben, with Mark Kosower

Mark Kosower, Principal Cello of the Cleveland Orchestra, plays and discusses the opening of Strauss' Ein Heldenleben.

Artists Bt_info_artist Mark Kosower

Composers Richard Strauss

Works Ein Heldenleben

Instruments Cello

Recorded Date 04-11-2014