Small_nws_excemption3 Beethoven: Symphony No. 3, "Eroica", 4th mvt.

Orchestral Excerpts | Mark Sparks, Flute
Bt_movie_not_in_use Dynamic contrast is important to demonstrate 00h:00m:57s
Bt_movie_not_in_use Demonstration of excerpt 00h:01m:17s
Bt_movie_not_in_use To help with tone production in piano on high F-sharp, practice with fingering for octave lower 00h:01m:54s
Bt_movie_not_in_use Demo of alternate fingering for high F-sharp 00h:02m:38s
Bt_movie_not_in_use Phrasing questions 00h:03m:06s
Bt_movie_not_in_use Alternate fingering for high A-natural 00h:03m:37s
Bt_movie_not_in_use In some scores, one slur is excluded. Make sure you observe the articulation in the part provided at the audition 00h:04m:01s
Bt_movie_not_in_use Articulation at meas. 185 should be with lots of energy, reflecting the upbeat character of the melody 00h:04m:28s
Bt_movie_not_in_use Energize the staccato notes with air column, as if saying "ha" on each note 00h:04m:47s
Bt_movie_not_in_use Resist the urge to rush ahead at meas. 193 00h:05m:38s
Bt_movie_not_in_use End with unaccented resolution on final D-natural 00h:05m:46s


Mark Sparks, Principal Flute of the Saint Louis Symphony, demonstrates and discusses the solo from the fourth movement of Beethoven's Third Symphony, "Eroica."

Composers:
Ludwig van Beethoven

Works:
SYMPHONY NO. 3 IN E-FLAT MAJOR, OP. 55 ("EROICA")

Instruments:
Flute

Recorded Date: 05-09-2013



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Mark Sparks
Flute

Mark Sparks was appointed Principal Flute of the St. Louis Symphony by the late Hans Vonk in 2000. He is a frequent soloist with the Symphony and other orchestras and has performed in the United States, Europe, Scandinavia, South America, and Asia. He has appeared as Guest Principal Flutist with many ensembles, including the New York Philharmonic, Chicago Symphony, Pittsburgh Symphony, Detroit Symphony, and the Bergen (Norway) Philharmonic.

Prior to his appointment in St. Louis Sparks was Associate Principal Flute with the Baltimore Symphony under David Zinman, and Principal Flute of the San Antonio Symphony and the Memphis Symphony. He began his career as Principal in the Canton Ohio Symphony and in Venezuela with the Caracas Philharmonic.

In the summer of 2013 Sparks returned to the Aspen Music Festival and School where he is an artist-faculty member and Principal Flute of the Aspen Chamber Symphony. He also taught his fourth annual master class at Missouri's Innsbrook Institute, and joined the faculty of the Pacific Music Festival in Sapporo, Japan.

Sparks is an enthusiastic teacher and maintains a private studio in St. Louis. He is a former full-time faculty member of the Peabody Institute, and frequently presents clinics and recitals in the U.S. and abroad. Sparks has recorded two solo albums, appearing on the Summit and AAM labels, and a new recording of French repertoire for flute and piano is planned for release in 2013. Sparks is also an avid writer about flute playing, and is a regular contributor to Flute Talk magazine's feature "From the Principal's Chair."

Born in 1960 and raised in Cleveland and St. Louis, Sparks graduated Pi Kappa Lambda from the Oberlin Conservatory as a student of Robert Willoughby, winning the 1982 Oberlin Concerto Prize.