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In-Video Bookmarks

Bt_movie_not_in_use Solo is not technically demanding, but can be effective in capturing the ears of a committee (00h:01m:12s)
Bt_movie_not_in_use Draw attention back to the melody in a tentative but confident way (00h:01m:47s)
Bt_movie_not_in_use A-natural appoggiatura is the natural arrival point of the phrase (00h:02m:00s)
Bt_movie_not_in_use Ability to play beautiful legato. Use the vibrato to connect notes to one another (00h:02m:35s)
Bt_movie_not_in_use Fingering for final low B-flats to keep them from being sharp (00h:03m:38s)
Bt_movie_not_in_use Start the final partial phrase as if you were going to continue (00h:04m:11s)

Bassoon excerpt: Tchaikovsky Symphony No. 4, 2nd Movement, with Sue Heineman

Sue Heineman, Principal Bassoon of the National Symphony Orchestra, demonstrates and discusses the bassoon solo from the second movement of Tchaikovsky's Fourth Symphony.

Artists Bt_info_artist Sue Heineman

Composers Pyotr Ilyich Tchaikovsky

Works SYMPHONY NO. 4 IN F MINOR, OP. 36

Instruments Bassoon

Recorded Date 18-04-2013