1

In-Video Bookmarks

Bt_movie_not_in_use What an audition commission listens for; "The three Ts": in time; in tune; and with a good tone (00h:03m:27s)
Bt_movie_not_in_use What makes auditioning challenging (00h:04m:30s)
Bt_movie_not_in_use Being musically evocative (00h:05m:07s)
Bt_movie_not_in_use Style suggestion for string players playing an audition (00h:07m:21s)
Bt_movie_not_in_use Successful auditionees are smart auditionees (00h:09m:49s)
Bt_movie_not_in_use Playing effectively within the context of the audition (00h:12m:35s)
Bt_movie_not_in_use Differentiating oneself at an audition; understanding musical context; Wanting to hire the best artist (00h:15m:02s)
Bt_movie_not_in_use Learning and preparing repertoire without the benefit of performance experience (00h:17m:00s)
Bt_movie_not_in_use Projecting one's knowledge of the score and musical content (00h:22m:00s)
Bt_movie_not_in_use Discussion of the chamber music component of an audition (00h:23m:19s)

Audition Panel Discussion

NWS coaches on auditioning: Craig Morris (trumpet), Marianne Gedegian (flute), David Allen Moore (bass), William VerMeulen (horn), Daniel Matsukawa (bassoon), Jonathan Vinocour (viola), Mark Kellogg (trombone), Robert Davidovici (violin).

Artists Bt_info_artist Robert Davidovici Bt_info_artist William VerMeulen Bt_info_artist David Allen Moore Bt_info_artist Mark Kellogg Bt_info_artist Jonathan Vinocour Bt_info_artist Daniel Matsukawa Bt_info_artist Craig Morris Bt_info_artist Marianne Gedigian

Instruments Orchestra