Articulations on the Trombone

How-To | Douglas Rosenthal, Trombone
Bt_movie_not_in_use Staccato, separated articulation 00h:00m:23s
Bt_movie_not_in_use Example from Stravinsky's Firebird 00h:00m:44s
Bt_movie_not_in_use Example from Rossini's La Gazza Ladra 00h:01m:03s
Bt_movie_not_in_use Marcato, marked or with emphasis 00h:01m:23s
Bt_movie_not_in_use Example from Berlioz's Faust 00h:01m:48s
Bt_movie_not_in_use Example from Bruckner 8 00h:02m:12s
Bt_movie_not_in_use Tenuto, held or long 00h:02m:36s
Bt_movie_not_in_use Example from Brahms 4 00h:03m:22s
Bt_movie_not_in_use Example from Grondahl's Trombone Concerto 00h:04m:32s
Bt_movie_not_in_use Legato, completely connected 00h:04m:57s
Bt_movie_not_in_use Example from Saint-Saëns Symphony No. 3 00h:05m:17s
Bt_movie_not_in_use Example from Mozart's Tuba Mirum 00h:05m:45s


NWS Trombone fellow Douglas Rosenthal demonstrates various kinds of articulations on the trombone

Instruments:
Trombone



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Douglas Rosenthal
Trombone

Douglas Rosenthal is currently Assistant Principal Trombone of the Kennedy Center Opera House Orchestra. He previously was a Fellow with the New World Symphony. Mr. Rosenthal received a Bachelor of Music from Northwestern University, studying with Michael Mulcahy.