Small_nws_excemption3 Articulation on the trombone

How-To | Douglas Rosenthal, Trombone
Bt_movie_not_in_use Definition of articulation 00h:00m:08s
Bt_movie_not_in_use Definition and demonstration of staccato 00h:00m:20s
Bt_movie_not_in_use Demonstration of staccato in Stravinsky's Firebird Infernal Dance 00h:00m:40s
Bt_movie_not_in_use Demonstration of staccato in Rossini's La Gazza Ladra 00h:01m:02s
Bt_movie_not_in_use Definition and demonstration of marcato 00h:01m:25s
Bt_movie_not_in_use Marcato in Berlioz' Hungarian March from Faust 00h:01m:49s
Bt_movie_not_in_use Bruckner Symphony No. 8 00h:02m:10s
Bt_movie_not_in_use Definition and demonstration of tenuto 00h:02m:33s
Bt_movie_not_in_use Dotted tenuto in Brahms Symphony No. 4 00h:03m:10s
Bt_movie_not_in_use Demonstration of alternating tenuto and staccato 00h:04m:10s
Bt_movie_not_in_use Tenuto and staccato in Grondahl Trombone Concerto 00h:04m:32s
Bt_movie_not_in_use Legato demonstration 00h:04m:58s
Bt_movie_not_in_use Demonstration of legato in Saint-Saëns Symphony No. 3 00h:05m:20s
Bt_movie_not_in_use Demonstration of legato in Mozart Requiem Tuba Mirum 00h:05m:45s


NWS trombone fellow Doug Rosenthal demonstrates various articulation techniques on the trombone.

Instruments:
Trombone



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Douglas Rosenthal
Trombone

Douglas Rosenthal is currently Assistant Principal Trombone of the Kennedy Center Opera House Orchestra. He previously was a Fellow with the New World Symphony. Mr. Rosenthal received a Bachelor of Music from Northwestern University, studying with Michael Mulcahy.