|Sometimes musicians lose character when striving to sound too much like each other.||00h:00m:03s|
|The great performers of the past used to have a very individual sound.||00h:00m:47s|
|Focus more on power, intonation, and articulation.||00h:01m:09s|
|Mozart is a sensitive issue for auditions.||00h:01m:48s|
|Bach in auditions||00h:02m:02s|
Martin Chalifour, concertmaster of the LA Philharmonic, gives advices to young professional musicians
Martin Chalifour began his tenure as Principal Concertmaster of the Los Angeles Philharmonic in 1995. The recipient of various grants and awards in his native Canada, he graduated with honors from the Montreal Conservatory at the age of 18 and then moved to Philadelphia to pursue studies at the Curtis Institute of Music. In 1986 Chalifour received a Certificate of Honor at the Tchaikovsky Competition in Moscow; he was a laureate of the Montreal International Competition the following year. Since then he has concertized extensively, playing hundreds of concerto performances from a repertoire of more than 50 works. Chalifour began his orchestral career in 1984 with the late Robert Shaw and the Atlanta Symphony, playing as Associate Concertmaster for six years. Subsequently he occupied the same position for five years in The Cleveland Orchestra, where he also served as Acting Concertmaster under Christoph von Dohnányi. While in Cleveland, Chalifour taught at the Cleveland Institute of Music and was a founding member of the Cleveland Orchestra Piano Trio.
Martin Chalifour is a professor at the University of Southern California’s Thornton School of Music. He records for the Yarlung label; his latest album was released in September 2011, and features solo music composed by Esa-Pekka Salonen and Steven Stucky, as well as Mozart and Lutoslawski concertos with the Los Angeles Philharmonic recorded live at Walt Disney Concert Hall.